Universal Audio ANTI 1992 High Gain Amp
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Maker: Universal
Model: ANTI High Gain Amp
Condition: Brand New
Description:
From the internet:
The UAFX ANTI 1992 High Gain Amp delivers the savage guitar tones of Slipknot, In Flames, Machine Head, and countless Scandinavian metal bands right at your feet.*
With ANTI, you get the authentic sound of the 120-watt tube behemoth that gave rise to aggressive “scooped” guitar tones, combined with perfectly-miked cabinets to unleash bone-crushing riffs, searing leads, crystalline cleans, and everything in between.
Unleash Beastly Guitar Tones
In punishing detail, ANTI 1992 High Gain Amp captures the sound of the 120-watt amp that gave rise to notorious Metal subgenres throughout the '90s. From Thrash and Death Metal to Grunge, Black Metal, and beyond — ANTI delivers the rich, scooped tones that have fueled iconic bands for decades.
Play Through Classic Boosts & Noise Gate
ANTI’s built-in noise gate keeps your signal clear, even at super high gain settings. And its TS-style overdrive adds classic mid-boost saturation, perfect for tight and articulate playing. Or switch to an integrated preamp boost for classic Scandinavian metal tones.
Explore Famous Mic & Speaker Pairings
ANTI’s six perfectly-modeled mic and speaker combinations conjure legendary sounds used on decades of famous metal recordings. Whether you’re chasing the brutal clarity of Scandinavian Death Metal or the thick, saturated crunch of American Thrash, ANTI puts a palette of vicious tones at your feet.
- UK V30: 4x12 Marshall cab with V30’s
- CA V30: 4x12 Oversized cab with V30’s
- White 75: 4x12 Marshall cab with Celestion 75’s
- 3 Bonus Cabs: 2x12 D65, 4x12 Celestion 80, 4x12 Brown**
Customize Your Sound with the UAFX App
With the UAFX mobile app, you can pull up presets designed by pro guitarists or sculpt and save your own sounds to recall at any time. Plus the app unlocks deep customization for your pedal, allowing you to tweak hidden controls, boosts and noise gate settings, and even adjust output tube biasing.
