{"product_id":"rare-1978-yamaha-custom-l-52-made-in-japan-bob-dylan-budokan","title":"Rare 1978 Yamaha Custom L-52 Jumbo Acoustic Guitar made in Japan - Bob Dylan Budokan","description":"\u003cp\u003e\u003cstrong\u003eMaker: \u003c\/strong\u003eYamaha\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModel: \u003c\/strong\u003eCustom L-52\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eVery good \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eCollector opportunity; an ultra rare 1978 Yamaha Custom L-52 acoustic guitar in original condition - aka the Bob Dylan Budokan guitar. Bob purchased his L-52 specifically for his 1978 tour which kicked off with Eight shows at the Budokan which were recorded, with tracks appearing on the \u003c\/span\u003e\u003ci\u003e\u003cem class=\"style-italic\"\u003eBob Dylan at Budokan\u003c\/em\u003e\u003c\/i\u003e\u003cspan\u003e album. L-52's were the top of the line hand made model available only as part of their special order program and Yamaha's \"Four Heavenly Kings\" L (Luxury) series overseen by Terry Nakamoto, a legend in the acoustic guitar world. When it comes to Japan vintage guitars this is considered one of the Holy Grails! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis one is in overall very good condition especially considering its age. The body shows some general playwear, some very minor surface scratches and scuffs, and in some spots there is some kind of reaction to the finish that is almost un-noticable unless in the right lighting. The binding on the body has faded to an almost red color in some spots and shows a fair amount of cracking throughout, see our photos for details. Besides that the body is overall in very good shape and has no major damage of any sort. Neck shows some very minor surface wear and a few very minor dings that dont affect playability in any way but otherwise neck is in great condition and very comfortable with a soft V profile. Headstock shows some light surface marks and some very light wear along the edges but is otherwise in good condition. Beautiful ebony fretboard that shows some very light wear on the first 3 frets but is otherwise very clean. Frets shows some light wear and some minor divots mostly on the first 3 frets but otherwise have no issues and in good overall condition. Features an ebony bridge that is fully adjustable with individual saddles for each string ensuring proper intonation. Has a new set of bridge pins installed and the old bridge pins are included but the original set has one damaged pin. A stunning, rarely seen and highly collectible custom Yamaha that plays and sounds like a dream, Just ask Bob Dylan (or Paul Simon, or Jimmy Page - other fans of the L-52 model). Has been fully inspected and set up and ready for a new home. Includes original hard shell case.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"KsbFXc U6u95\" data-processed=\"true\"\u003e\n\u003cli data-hveid=\"CAEIBRAA\" data-sae=\"\"\u003e\u003cspan class=\"T286Pc\" data-sfc-cp=\"\"\u003e\u003cstrong class=\"Yjhzub\"\u003eBody:\u003c\/strong\u003e It features a \u003cstrong class=\"Yjhzub\"\u003ejumbo body\u003c\/strong\u003e with a distinctive white double pickguard.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hveid=\"CAEIBRAB\" data-sae=\"\"\u003e\u003cspan class=\"T286Pc\" data-sfc-cp=\"\"\u003e\u003cstrong class=\"Yjhzub\"\u003eTop:\u003c\/strong\u003e The guitar has a \u003cstrong class=\"Yjhzub\"\u003esolid spruce top\u003c\/strong\u003e, which contributes to a crisp, articulate, and vibrant tone.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hveid=\"CAEIBRAC\" data-sae=\"\"\u003e\u003cspan class=\"T286Pc\" data-sfc-cp=\"\"\u003e\u003cstrong class=\"Yjhzub\"\u003eBack \u0026amp; Sides:\u003c\/strong\u003e The back and sides are made of \u003cstrong class=\"Yjhzub\"\u003esolid maple\u003c\/strong\u003e, a wood choice that gives the guitar its characteristic bright, clear sound.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hveid=\"CAEIBRAD\" data-sae=\"\"\u003e\u003cspan class=\"T286Pc\" data-sfc-cp=\"\"\u003e\u003cstrong class=\"Yjhzub\"\u003eNeck:\u003c\/strong\u003e The neck is typically made of \u003cstrong class=\"Yjhzub\"\u003emaple\u003c\/strong\u003e and is described as smooth and comfortable for easy playability.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hveid=\"CAEIBRAE\" data-sae=\"\"\u003e\u003cspan class=\"T286Pc\" data-sfc-cp=\"\"\u003e\u003cstrong class=\"Yjhzub\"\u003eFingerboard \u0026amp; Bridge:\u003c\/strong\u003e Both the fingerboard and bridge are crafted from \u003cstrong class=\"Yjhzub\"\u003eebony\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hveid=\"CAEIBRAF\" data-sae=\"\"\u003e\u003cspan class=\"T286Pc\" data-sfc-cp=\"\"\u003e\u003cstrong class=\"Yjhzub\"\u003eHardware:\u003c\/strong\u003e It often includes an \u003cstrong class=\"Yjhzub\"\u003eadjustable bridge\u003c\/strong\u003e, which aids in precise tuning and detailed string balance.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-hveid=\"CAEIBRAG\" data-sae=\"\"\u003e\u003cspan class=\"T286Pc\" data-sfc-cp=\"\"\u003e\u003cstrong class=\"Yjhzub\"\u003eAesthetics:\u003c\/strong\u003e The L-52 is known for its distinctive and luxurious appearance, featuring a black body finish on some models, and a design that makes it a \"legendary rarity\" among vintage Japanese acoustics.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003cspan\u003e 6lbs 6oz\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cstrong\u003eNeck Shape: \u003c\/strong\u003eSoft V\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNeck Thickness: \u003c\/strong\u003e1st fret .874\", 12th fret - neck joint\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFretboard Radius: \u003c\/strong\u003e12\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNut width: \u003c\/strong\u003e1 3\/4\"\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003e***Listed shipping price is for USA only. For anywhere outside of USA please contact us for a qoute.*** \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv spellcheck=\"false\" class=\"input-box\"\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"D134\" tabindex=\"0\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv spellcheck=\"false\" class=\"input-box\"\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003eFrom the web:\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eIn the history of Japanese acoustic guitars, there remains a legend that is still talked about today. The four guitars born in 1975: the L-51, L-52, L-53, and L-54.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Four Heavenly Kings of YAMAHA L\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe term \"Four Heavenly Kings\" carries a certain charm that tugs at the heartstrings of the young. These four overwhelmingly distinctive entities possess an aura reminiscent of legendary artifacts or treasured relics passed down through tales. Within this group, the appeal of the \"L Four Heavenly Kings\" lies in each embodying a distinct concept and sound, radiating a truly unique presence.This article focuses on the \"L Four Heavenly Kings,\" delving into the background of their creation and the enduring charm that continues to captivate people to this day.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe L-52 Custom, featuring a jumbo body inspired by the Gibson J-200.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eA jet-black body with a white double pickguard... reminiscent of Gibson's Everly Brothers. This black color is designed to appear dark brown depending on the light, and upon closer inspection of the head, the wood grain subtly shows through, allowing you to appreciate its lacquerware-like beauty. \u003cmeta charset=\"utf-8\"\u003eWhite double pickguard. Upon closer inspection, its asymmetrical size creates a unique design. Why this design was chosen remains a mystery unless you ask the maker, but considering the L-51's design mentioned earlier, it's intriguing to speculate: \"Perhaps the placement area of the pickguard and body controls the resonance on the bass and treble sides, just like the L-51.\" \u003cmeta charset=\"utf-8\"\u003eAccording to Terry Nakamoto, the sound design was consciously tailored to Japanese tastes, aiming for a subdued feel rather than flashiness.\u003cbr\u003eFeaturing a Tune-O-Matic bridge, it delivers a crisp, clean sound while still allowing the jumbo body's rich resonance to shine through.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe L Custom Series, starting with the L-52, is sometimes described as having \"a distinctly Japanese sound,\" but the L-52 is also known for being highly regarded by top artists overseas.\u003cbr\u003e\u003cbr\u003ePaul Simon fell in love with its sound, placed an order for a smaller body size, and has been using it to his satisfaction. John Lennon took a liking to this model after playing his guitar and ordered his own custom model.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"cell-input editable disabled-input\" role=\"combobox\" dir=\"ltr\" aria-autocomplete=\"list\" aria-label=\"G134\" tabindex=\"0\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yamaha","offers":[{"title":"Default Title","offer_id":42350460469346,"sku":"3161365","price":11999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0647\/9057\/files\/YAMAHAACOUSTIC-2.jpg?v=1768599440","url":"https:\/\/coastsonic.com\/products\/rare-1978-yamaha-custom-l-52-made-in-japan-bob-dylan-budokan","provider":"Coast Sonic","version":"1.0","type":"link"}